• Advance ticket sales will shut down at midnight the day before the show if it hasn’t sold out.
• An advance ticket guarantees that you’ll get in if it sells out, and advance ticket holders are guaranteed seating.
• All chairs are first-come first-served for everybody. There’s really no bad seats, but up close is cooler. Come a little early to lock in your choice.
• You can change the number of tickets after you click through.
• The transaction fee is rolled into the ticket price.
• A Paypal account is not required. There will be a link to proceed without one, but they make it small and tricksy.
• Performers get all the ticket money. That’s the only income we have. We’re all volunteers. There are options to support Stage 33 Live with an additional $2 or $5 above the ticket price to help us pay the bills and maintain the gear, and from time to time even fund improvements.
• These options are optional! There is no shame in not selecting one!
• After completing, a “success” page should pop up and you should get an email from Paypal. You should also get a confirmation email from us, but that one may take a day or two.
• The name you give will be on a list at the door. All you have to do is show up. There are no physical tickets.
• We won’t sell your info to anybody. We won’t even add you to our secret email newsletter coterie unless you ask.
• There are no brick-and-mortar outlets to get tickets. If you don’t have a credit or debit card or don’t do online transactions, that’s cool. Drop us a line at stage33@stage33live.com and we’ll work it out.
• Tickets at the door will be $20. We can’t process plastic at the door, cash is best.
• Questions? Drop us a line at stage33@stage33live.com or text/voicemail 802-289-0148. (Text is generally better. Protip: We don’t have actual staff to answer the phone.)
Heather Mae is an acclaimed social justice singer-songwriter, fearlessly baring her soul in her music, creating an intimate space of shared vulnerability for her listeners. Her unbridled honesty, both on and off stage, has cultivated a devoted fanbase and garnered recognition including accolades like the winner of the Rocky Mountain Folks Fest Songwriter Showcase and Northeast Regional Folk Alliance Artist-Activist of the Year award.
Her luminescent 2019 release, “Glimmer,” drew parallels to vocal powerhouses Adele and Sara Bareilles. With storytelling depth reminiscent of Florence Welch, each song unveils a portrait of resilience and self-discovery.
Mae is poised to make an impact with two groundbreaking records slated for release in 2025. She embarked on a mission to address the stark gender disparity for music producers — a mere 4% representation by women. She rallied a dynamic collective of women and non-binary talents in Nashville, assembling luminaries like producer ZDAN and Lollies, alongside guest artists such as Grammy award-winning musician Allison Russell and the extraordinary duo Sistastrings. Two electrifying albums in two distinct genres were crafted, showcasing the unparalleled talent and versatility of women and non-binary music makers.
Olivia Nied’s poignant songs reflect her unique life experience living as a transgender, neurodivergent young person. Trained at Hampshire College, Goldsmiths University of London, Berklee College of Music, and the Vermont Jazz Center, Olivia is an innovative composer, arranger, and producer.
Her professional music career began at age thirteen when she was invited to perform at the Ukulele Festival of Great Britain. At age sixteen she performed in clubs in Paris, and later in cafes in Holland. She has since performed across the US as a solo artist and session player as well as with various groups and ensembles exploring rock, indie-pop, new-grass, and jazz.
When not recording or performing Olivia utilizes music in her work with autistic and neurodiverse young people.
